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  1. The section on Popular Theatre in this article suggests an inroad into so many issues — community development, communication, conflict, and so on. If interested, do explore Agusto Boal’s texts (perhaps starting with Theatre of the Oppressed) in order to enlarge your understanding of the Spect-actor (the actor who moves from the audience to enact a new approach to a problem), one used extensively in certain pockets of adult education.

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